French artist Bernard Pras uses junk and discarded materials to create his large-scale “paintings” whose visual construction bears a resemblance to that of artist Vik Muniz’s junkyard masterpieces and shredded magazine collages. Like Muniz, Pras focuses on classic works and the artists behind said creations. The result of his valiant efforts in compiling each of his subjects is an enormous sculptural portrait composed of random yet carefully placed loose objects.